Santa Barbara Symphony News
[Independent] Schubert, Copland, and a New Clarinet Concerto on Sunday, February 12
February 17, 2017
This thoroughly satisfying program revealed the Santa Barbara Symphony at its strongest, offering both refined, powerful renditions of two important works from the standard repertoire and a West Coast premiere of a sparkling new concerto for clarinet by composer Jonathan Leshnoff, a favorite of maestro Nir Kabaretti’s. The opener, the Symphony No. 8 in B Minor, D. 759 (“Unfinished”) by Franz Schubert, contains some of the most masterful writing in the history of orchestral composition. Even without a full complement of four movements, Schubert’s “Unfinished” makes a bold and paradoxically complete statement. Kabaretti coaxed a relaxed yet deliberate performance from his musicians, and the second movement, in particular, flowed with an inexorable momentum that showed what Schubert was capable of adding to the legacy of Beethoven.
[Voice Magazine] Nikkudim: Points of Light Clarinet Concerto
February 10, 2017
A musical narrative never before heard on the west coast will be soulfully breathed into a solo clarinet and full orchestra when the Santa Barbara Symphony performs the West Coast Premiere of American composer Jonathan Leshnoff's new Clarinet Concerto, Nikkudim, with their own Principal Clarinet Donald Foster as soloist. The concert pair will take place on Saturday, February 11th at 8pm and Sunday, February 12th at 3pm in the Granada Theatre.
Don Foster has been the Principal Clarinet with the Santa Barbara Symphony for 19 years, and has performed his share of the standard concerto for the instrument with our orchestra and the Pasadena Symphony, where he also serves as Principal. But it's rare to have the opportunity to perform the West Coast premiere of a major new work for clarinet. It is a co-commission with the Philadelphia Orchestra, which gave the world premiere on April 14, 2016 with that orchestra's Principal Clarinet Ricardo Morales as soloist.
[Scene Magazine] Giving the Clarinet Some Orchestral Love
February 10, 2017
SB Symphony Premieres Clarinet Concerto By Young Composer Jonathan Leshnoff
When last it convened, two weeks back, the Santa Barbara Symphony was busy entertaining an all-ages crowd to the tune and classic visuals of Disney’s “Fantasia,” with its idealistic blend of animation and classical music jukebox hit parade. This weekend’s model of a program is of another ilk entirely, a program in which the Austrian-American symphonic imprint of Schubert’s “Unfinished” Symphony and Aaron Copland’s Symphony No. 3 play second fiddle, in a sense, to the main event of the package—the West Coast Premiere of noted and notably lyrical composer Jonathan Leshnoff’s new Clarinet Concerto.
From an organizational perspective, which casts positive light on our orchestra, the new piece was made possible by a co-commission from the Santa Barbara Symphony and one of America’s, and the world’s, great ensembles, the Philadelphia Orchestra. The symphony’s own considerable principal clarinetist, Donald Foster—no stranger to the soloist spotlight at the Granada Theatre—will do the soloist honors for the new Leshnoff work.
Santa Barbara Symphony to Premiere Leshnoff Clarinet Concerto for West Coast
January 31, 2017
Work was co-commissioned by the renowned Philadelphia Orchestra. Concerts also will feature Schubert’s cherished ‘Unfinished’ Symphonyand Copland’s monumental Symphony No. 3.
Santa Barbara, CA — The Santa Barbara Symphony, under the baton of Maestro Nir Kabaretti, will present the West Coast premiere of acclaimed composer Jonathan Leshnoff’s Clarinet Concerto – a work co-commissioned by the renowned Philadelphia Orchestra – at the Granada Theatre on Saturday, February 11. Featuring Santa Barbara Symphony Principal Clarinetist Donald Foster, the performance will take place at 8 pm, followed by an encore concert at 3 pm on Sunday, February 12. Tickets are now available.
The program also will include Schubert’s beloved “Unfinished” Symphony No. 8 and Aaron Copland’s powerful Symphony No. 3, with its famed Fanfare for the Common Man theme.
Area Children to Perform Community Concerts
January 30, 2017
Featured musicians receive training through the Santa Barbara Symphony Music Education Center.
Santa Barbara, CA — Local children will be the featured performers in two free community concerts presented in February by the Santa Barbara Symphony Music Education Center in partnership with the Santa Barbara Unified School District (SBUSD). String musicians in grades three through six will perform at 5:30 pm on Thursday, February 2, in the Marjorie Luke Theatre, and instrumentalists of all ages will perform at 7 pm on Thursday, February 23, in the San Marcos High School Auditorium. All performers are SBUSD students.
The February 2 concert will feature participants in BRAVO!, an afterschool program that provides hands-on instrument instruction to elementary students ages 9 to 12. The Santa Barbara Symphony Music Education Center is partnering with the SBUSD to administer the district program following its expansion last fall. The SBUSD Honor Band Concert on February 23 will feature BRAVO! musicians as well as students in junior high and high school.
[Scene Magazine] Orchestral Hits in Living Color
January 27, 2017
For first concert of new year, the Santa Barbara Symphony performs scores from the classic Disney Film 'Fantasia,' with live orchestral backing to the on-screen film excerpts
To report that there will be Mickey Mouse conditions at this weekend’s convening of the Santa Barbara Symphony is both a matter of truth, and potential cultural excitement of the sound and sight kind. For the first concert program of the New Year, the Symphony is showcasing the musical component of the classical musicfueled Disney animated classic “Fantasia,” with live, orchestral accompaniment to excerpts from the film. That this all takes place in vintage movie palace The Granada Theatre, dating back to the end of the silent era of the late ’20s, adds to the charm and historical fiber of the occasion.
Made in 1940, and featuring music of Elgar, selected moments from the ballet work of Stravinsky’s “Firebird” and Tchaikovsky’s “Nutcracker,” and — the Mickey Mouse moment — Dukas’ “The Sorcerer’s Apprentice,” “Fantasia” is a unique landmark in popular cinema, a rare meeting of high and mass culture. Public awareness of the riches and the deep heritage of classical music was, and continues to be, greatly enhanced by Disney’s grand gesture.