Articles in Press

[Backstage at the Lobero] What You Should Know About the Santa Barbara Youth Symphony

September 29, 2015

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[Independent] Review: Santa Barbara Symphony’s Porgy and Bess

May 20, 2015

As maestro Nir Kabaretti enters his second decade with the Santa Barbara Symphony, the time feels right not so much for retrospection as for celebration. Last Saturday night, the symphony’s executive director, David Pratt, announced from the Granada stage that Kabaretti has signed a contract to conduct the orchestra for at least another three years, and that’s very good news. His blend of personal warmth, intellectual rigor, and consummate musicianship has moved the organization forward on a number of fronts throughout his tenure, and thus the next three-year stint — or decade for that matter — promises to be a rich one.


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[Noozhawk] Santa Barbara Symphony’s Season Finale an All-American Affair

May 17, 2015

The Santa Barbara Symphony’s season-closer will be an all-American affair, with a program consisting of Dan Redfeld’s Arioso for Oboe, Strings & Percussion, Howard Hanson’s Symphony No. 2, Opus 30, “Romantic” (1930) and the concert version of George Gershwin’s only opera, Porgy and Bess (1935), with a libretto by DuBose Heyward and Ira Gershwin.

Redfeld began his study of music at the New England Conservatory of Music in Boston, and finished it at UCLA. He works mainly in film — chiefly short films, to date — and in the musical theater. He wrote the music for a popular adaptation of Louisa May Alcott’s Little Women, which ran on Broadway in 2001.


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[Scene Magazine] American stories

May 15, 2015

The Santa Barbara Symphony's season finale features a grand version of Gershwin's 'Porgy and Bess' and a world premiere by LA composer Dan Redfeld

For the proverbial "season finale," this weekend at the Granada Theatre the Santa Barbara Symphony has opted to draw its energies from close to home, staking a claim in the American domain in the still Euro-centric world of orchestral culture. For a main event, maestro Nir Kabaretti leads his ensemble through the George Gershwin classic "Porgy and Bess," with a collaborative outreach to the Santa Barbara Choral Society and guest soloists in vocal roles. American composer Howard Hanson's Symphony No. 2 "Romantic" works its way naturally into the all-American mix, as a purely orchestral showcase.

And even closer to home, the one fresh piece on the program comes to us via Los Angeles — and, by cultural extension, from Hollywood — in the form of a world premiere by composer Dan Redfeld. The versatile composer/conductor/pianist has worked in film and other entertainment-worldly contexts, has conducted the LA Opera, and produced a steady flow of "concert music," including his ink-still-wet Arioso for Oboe, Percussion & Strings, to be unveiled this weekend at the Granada Theatre. To add another American element, Mr. Redfeld's work pays homage to the tragedy of 9/11, a connection he discussed in a recent interview.


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[Independent] SB Symphony Finale: Porgy and Bess

May 14, 2015

Gershwin, a Symphony, and a World Premiere

Few works by American composers have enjoyed the splendid afterlife of George and Ira Gershwin’s “folk opera,” Porgy and Bess. Controversial from the moment it premiered in 1935, this fantasy on African-American themes is set on Catfish Row, a poor district of Charleston, South Carolina, that’s home to fishermen, drug dealers, and murderers. The action swings back and forth across the water as the characters come and go from Catfish to Kittiwah, a fictional island off the coast of Charleston.

When the Santa Barbara Symphony moves into the Granada this weekend, Saturday, May 16, and Sunday, May 17, for its final concert of the season, the players will be in fine company, as the Santa Barbara Choral Society and high-profile vocal soloists Laquita Mitchell and Michael Sumuel will be joining them for the Gershwin. Expect to hear the greatest of all seasonal theme songs, the magnificent “Summertime,” rendered with the taste, beauty, and sheer sonic heft that a full orchestra with a chorus can provide.


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Santa Barbara Symphony Education Programs Hit High Note in 2015

May 12, 2015

The Santa Barbara Symphony is harnessing centuries of classical music to develop local youth into 21st-century leaders.

The symphony’s education programs, now designated as the Santa Barbara Symphony Music Education Center, uses a sequential set of programs to take students from their first effort experimenting with an instrument through performing at a high level in its Youth Symphony. The symphony’s Music Education Center reached a record 5,046 students this school year.


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