Santa Barbara Symphony News
[CASA Magazine] Cellist Sara Sant’Ambrogio’s Dvořák
May 09, 2014
Grammy Award-Winning cellist Sara Sant'Ambrogio comes from a distinguished musical family. "I always say it was either destiny or density that made me become a cellist," she told me from Nashville, during a recent conversation. "My grandparents were both professional musicians. The best man at my grandparents wedding was Joesph Gingold, the great violin pedagogue.
He played in a string quartete with my grandfather. And my grandmother was a phenomenal concert pianist, a protege of Arthur Rubinstein. My father played both violin and piano, but really didn't find his footing until he switched to the cello, an instrument neither of his parents played."
[Montecito Journal] Coup De Grace: Aglow with Culture
May 08, 2014
We have friends with season symphony tickets, and it's not humanly possible for them to make every singel performance. So every now and then, we're offered their unused tickets.
I'm always ressitant to the idea of getting dressed up and heading downtown on a Saturday night. I'm not sure when going out for the evening began sounding like a chore, but it might've coincided with the popularity of the book, Being an Introvert is the New Black. I ask myself, "Why can't I just stay home with the terriers and listen to YouTube music videos?"
However, my husband loves going to the symphony. And every time I go, I end up loving it, too. So wer'e both very grateful for this nudge toward culture.
May 07, 2014
Gloria J. Autry
1934 - 2014
Having joined the Santa Barbara Symphony only two years after its founding 61 years ago, violinist Gloria Autry passed away on Saturday, May 3, 2014, just two weeks before what would have been her last professional concert. She had announced her plans to retire at the end of this season. Her inimitable devotion to her musical family at the Symphony, as well as her innumerable other civic and musical contributions, makes her passing all the more deeply felt.
Maestro Nir Kabaretti has said on many occasions that Gloria always arrived at the rehearsals incredibly well prepared. She missed only one concert last year, following a fall that would have sidelined most professional musicians for months.
Gloria was ever smiling, never complaining and always offering other musicians and fellow Santa Barbarans her support, assistance and overwhelming generosity of spirit.
Gloria would most probably have wanted us to celebrate her life in music and remember her "glorious-ly" playing her violin. The same violin she played when she began with the Santa Barbara Symphony in 1955.
Gloria will be greatly missed by all who had the pleasure of knowing her.
[Casa Magazine] Got Rhythm?
April 18, 2014
One of the freshest Santa Barbara Symphony programs this season filled the Granada Theatre with energy during last weekend's Saturday night performance. The house was nearly full for Darius Milhaud's "The Creation of the World," written for 1920s jazz orchestra, followed by Aaron Copland's Clarinet Concerto, which uses only strings and harp as backup, but is also infused with jazz. After intermission, Beethoven's eternally exciting Symphony No. 7 in A Major, Op. 92 brought the evening to a delightfully rhythmic close.
Howard Jay Smith Joins Santa Barbara Symphony Planned Giving Committee
April 18, 2014
Howard Jay Smith has been named to the Santa Barbara Symphony Planned Giving Committee.
“I have been a lifelong fan of classical music,” said Smith.
The Santa Barbara Symphony maintains a permanent endowment fund to secure the orchestra’s artistic, cultural and educational programs for future seasons. As a committee member, Smith will help Director of Development Pamela Perkins-Dwyer ensure the symphony’s endowment stays healthy.
[Independent] Clarinets and the Creation at the Granada
April 16, 2014
The French modernist composer Darius Milhaud gave as much to the American musical tradition as he took from it, as he was an important mentor to both Dave Brubeck and Burt Bachrach during the time he spent teaching composition at Mills College. Milhaud came to this country with an intense feeling for melody, and a taste for the polyphonic language of jazz. At Sunday’s concert by the Santa Barbara Symphony, Milhaud’s La Creation du Monde displayed both these qualities of melody and polyphony to great effect, with a relatively small and thoroughly string-free ensemble onstage executing the music, and a short animated film by Santa Barbara native Carolyn Chrisman projected above their heads to illustrate its narrative, which was originally told through ballet.