Santa Barbara Symphony News
[Montecito Journal] Montecito Miscellany: Sara Sizzles
May 22, 2014
Santa Barbara Symphony’s Maestro Nir Kabaretti to also Lead Southwest Florida Symphony
May 21, 2014
Kabaretti to continue as Music and Artistic Director of the Santa Barbara Symphony
Santa Barbara, CA, May 21, 2014 – The Santa Barbara Symphony is proud to announce that Maestro Nir Kabaretti has been chosen by the Southwest Florida Symphony to lead its orchestra. Kabaretti will continue to serve as the Santa Barbara Symphony’s Music and Artistic Director.
After an extensive international search, the Southwest Florida Symphony chose five finalists, including Kabaretti, for the position of Music Director and Conductor. Maestro Kabaretti was ultimately chosen through polling the Southwest Florida Symphony’s musicians, through audience polls and recommendations made by the selection committee and Symphony administrative staff. The Southwest Florida Symphony feels strongly that the organization will benefit from Maestro Kabaretti’s international and regional orchestra experience, forward thinking and strong artistic leadership.
“As Maestro Kabaretti’s star continues to rise, we’re proud that he continues to call the Santa Barbara Symphony home” said David Grossman, Santa Barbara Symphony Executive Director. “Now with his second Music Directorship, we can look forward to Maestro Kabaretti’s more frequent presence with us here in the United States.”
[Independent] Maestro Nir Kabaretti Opened Minds with this Season Closer
May 19, 2014
Completing his eighth year leading the Santa Barbara Symphony, Maestro Nir Kabaretti has continued to demonstrate brilliance and warmth, high level music making and accessibility. No one present Saturday would doubt the world-class artistry now regularly exhibited by the orchestra, nor the sensitive attunement of players to the maestro’s musical vision. Substantial fare included Antonín Dvořák’s Cello Concerto in B minor and Dmitri Shostakovich’s Symphony No.5. This reviewer overheard several patrons afterwards reconsidering their feelings about Shostakovich based on this powerful performance — and isn’t opening minds a yardstick for success by any measure?
[Noozhawk] Symphony to Showcase Cellist Sara Sant’Ambrogio in Season Finale
May 17, 2014
The Santa Barbara Symphony, conducted by Maestro Nir Kabaretti, will close its 2013-14 season with a pair of concerts at 8 p.m. Saturday and 3 p.m. Sunday in the Granada Theatre.
Lighting up the auditorium will be the guest artist, cellist Sara Sant’Ambrogio, the Grammy-winning co-founder of the Eroica Trio.
[Scene Magazine] Closing with a Grand Concerto and a Grand Cellist
May 16, 2014
Cellist Sara Sant'Ambrogio solos in the Santa Barbara Symphony's season-closing program, with a Dvorak Concerto
If the name Sara Sant'Ambrogio rings a bell with classical music fans, it is most likely in her best-known context and co-brainchild, as one-third of the all-female chamber music sensation, the Eroica Trio. Going back to the early '90s, this impressive piano trio — which has played in Santa Barbara in years past — has dazzled critics and audiences alike, and effectively helped to break down stubborn gender barriers, while not incidentally also making no attempt to sidestep the feminine beauty factor of the participants.
This weekend, as part of the Santa Barbara Symphony's season-closing program, Ms. Sant'Ambrogio shifts roles when she appears as the spotlight-centered soloist, while working with a vastly larger ensemble. She will take on the beloved Dvorak Concert for Cello, in a diverse set of music, also including the piece "Akeda (The Sacrifice of Isaac)" by Noam Sheriff (a mentor of the orchestra's maestro Nir Kabaretti), and Shostakovich's Fifth Symphony to end the show, and an all-around fine season.
[CASA Magazine] Cellist Sara Sant’Ambrogio’s Dvořák
May 09, 2014
Grammy Award-Winning cellist Sara Sant'Ambrogio comes from a distinguished musical family. "I always say it was either destiny or density that made me become a cellist," she told me from Nashville, during a recent conversation. "My grandparents were both professional musicians. The best man at my grandparents wedding was Joesph Gingold, the great violin pedagogue.
He played in a string quartete with my grandfather. And my grandmother was a phenomenal concert pianist, a protege of Arthur Rubinstein. My father played both violin and piano, but really didn't find his footing until he switched to the cello, an instrument neither of his parents played."